Attraverso lo specchio e quel che Alice vi trovó

Premio ARTE 2006, Milano (ITA) In collaboration with Accademia di Belle Arti, Venezia and ARTE Mondadori Cross Over Diapo film to Negative film

The dimension hidden behind the surface of a mirror is as real as the dimension in which we live. Through the lens, the same rules of the dimension we know exist, space is expanded in the same way we know in this dimention. In this research I wanted to investigate the possibility of putting into practice a game I used to play as a child, imagining that I also possessed the space beyond the mirror, by staging the first part of Lewis Carrol's famous book. For this work I experimented with the Cross Over technique, i.e. shooting with a DIAPO film but requesting development as if it were a negative. After trying a few, I found the most functional solution that allowed me to translate the colours of that dimention.

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Photo and collage art concept by Alice Brunello Luise

A project inspired by Ukai (cormorant fishing) concept and Style by Zixuan Liu

Photo assistant: Mattia Ferrari, Model: Weiwei Lin, MUA: Perla Rangheri, Retouch: Alessandro Fabbro. A special thank to Digital Touch, Verona ITA

Is a deeply personal and evocative project that delves into the delicate balance between strength and vulnerability. Is work explores resilience through fragility. Each piece reflects my journey of living with endometriosis, a chronic condition that has profoundly shaped my identity and perspective. Through photography and mixed media, I explore the themes of pain, resilience, and renewal, capturing the intricate layers of what it means to live within a fragile yet unyielding body. This work serves as both a reflection and a conversation: a space where vulnerability transforms into empowerment, and fragility becomes a testament to inner strength.

The Most Beautiful Flower

It's a never ending loving story of my family. It is how I add new pieces of memories. One thing my grandmother always said to her five sons: you are the most beautiful flowers in my garden. Three sisters appear in the First photo. The woman on the right is my grandmother. My dad's mom. It was a sunny winter day and these wonderful women were strolling through the streets of Padua (Italy), impeccably dressed. From the need for remembrance; from this phrase; from the intimacy of my family’s hearth, this project was born.

Mixed Media on vintage photograph

This work is featured in the Issue 14 and in the exhibition "Our Stories" of PhotoTrouveè Magazine

Body Modification II

Mutazioni Contemporanee Progetto ACCADE Galleria A+A, Venezia digital photo

Love is Clockworks

Mixed media on paper

Surreal & Family Portrait

What is your relationship with yourself and with mirrors? What do you see reflected? How do you recognize your image? Living with a chronic illness (Endometriosis and Adenomiosis) sometimes feels like living a surreal life. That's what I see in the mirror: pieces of someone that I sometimes don't recognize, and at times, I couldn't even recognize myself among my family, who didn’t understand my suffering. I have intimately experienced my existence from the outside, imagining myself as part of a community more similar to me.

mixed media collage of vintage photographs and paper

How different is the perception of life between feeling (inside) and the reality that surrounds us (outside)? I would liken our mind to a room, our secret room that allows us to impersonate what we really feel we are, what we believe we belong to.

How different is the perception of life between feeling (inside) and the reality that surrounds us (outside)? I would liken our mind to a room, our secret room that allows us to impersonate what we really feel we are, what we believe we belong to.

How different is the perception of life between feeling (inside) and the reality that surrounds us (outside)? I would liken our mind to a room, our secret room that allows us to impersonate what we really feel we are, what we believe we belong to.

A project in collaboration with Accademia di Belle Arti di Venezia and Galleria A+A, Venezia Fine art B/W film and hands print

In today's society, the difficulty of relating is manifested even in the most intimate ties. Affective relationships have become uncertain and frivolous. The satisfaction of personal pleasure takes first place on the scale of values, transforming the body into a receptor capable of feeling emotions on command. Moreover, an excess of media information crowds our present, giving rise to a paradox: hyper-communication results in a lack of messages, symbols and deep vibrations of their experience. Here I focus on intimacy, working on the body and portraits. Memories of sincere and innocent bonds materialise on the prints and become the means to rediscover the most authentic emotions.

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