Love is Clockworks
Mixed media on paper
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Attraverso lo specchio e quel che Alice vi trovó
Premio ARTE 2006, Milano (ITA)
In collaboration with Accademia di Belle Arti, Venezia and ARTE Mondadori
Cross Over Diapo film to Negative film
2006
The dimension hidden behind the surface of a mirror is as real as the dimension in which we live. Through the lens, the same rules of the dimension we know exist, space is expanded in the same way we know in this dimention. In this research I wanted to investigate the possibility of putting into practice a game I used to play as a child, imagining that I also possessed the space beyond the mirror, by staging the first part of Lewis Carrol's famous book. For this work I experimented with the Cross Over technique, i.e. shooting with a DIAPO film but requesting development as if it were a negative. After trying a few, I found the most functional solution that allowed me to translate the colours of that dimention.
The Most Beautiful Flower
It's a never ending loving story of my family. It is how I add new pieces of memories. One thing my grandmother always said to her five sons: you are the most beautiful flowers in my garden. Three sisters appear in the First photo. The woman on the right is my grandmother. My dad's mom. It was a sunny winter day and these wonderful women were strolling through the streets of Padua (Italy), impeccably dressed. From the need for remembrance; from this phrase; from the intimacy of my family’s hearth, this project was born.
2022
Mixed Media on vintage photograph
This work is featured in the Issue 14 and in the exhibition "Our Stories" of PhotoTrouveè Magazine
Butterfly Portrait project
Collage portrait with Real Butterflies' wings
2013
F R A G I L E
Is a deeply personal and evocative project that delves into the delicate balance between strength and
vulnerability. Is work explores resilience through fragility.
Each piece reflects my journey of living with endometriosis, a chronic condition that has profoundly shaped
my identity and perspective.
Through photography and mixed media, I explore the themes of pain, resilience, and renewal, capturing
the intricate layers of what it means to live within a fragile yet unyielding body.
This work serves as both a reflection and a conversation: a space where vulnerability transforms into
empowerment, and fragility becomes a testament to inner strength.
2024
Mixed Media
Mes Danceuses
A project in collaboration with Accademia di Belle Arti di Venezia and Galleria A+A, Venezia
Fine art B/W film and hands print
2007
In today's society, the difficulty of relating is manifested even in the most intimate ties. Affective relationships have become uncertain and frivolous. The satisfaction of personal pleasure takes first place on the scale of values, transforming the body into a receptor capable of feeling emotions on command. Moreover, an excess of media information crowds our present, giving rise to a paradox: hyper-communication results in a lack of messages, symbols and deep vibrations of their experience. Here I focus on intimacy, working on the body and portraits. Memories of sincere and innocent bonds materialise on the prints and become the means to rediscover the most authentic emotions.
Attraverso lo specchio e quel che Alice vi trovò II
Digital photo
2010
Body Modification II
Mutazioni Contemporanee
Progetto ACCADE Galleria A+A, Venezia
digital photo
2009
InsideOut II
Digital photo
2013
How different is the perception of life between feeling (inside) and the reality that surrounds us (outside)? I would liken our mind to a room, our secret room that allows us to impersonate what we really feel we are, what we believe we belong to.
InsideOut III
Digital photo
2013
How different is the perception of life between feeling (inside) and the reality that surrounds us (outside)? I would liken our mind to a room, our secret room that allows us to impersonate what we really feel we are, what we believe we belong to.
Geisha
Premio ARTE 2005, Milano (ITA)
In collaboration with Accademia di Belle Arti, Venezia and ARTE Mondadori
BW film
2005
The bodies present themselves together in front of the lens. In the shot, the lights amalgamate the forms and the bodies appear as one, creating an apparent formal and aesthetic unity. The research tends towards the representation of the self linked to the other, to the couple, to love, to sexuality. The reasoning behind this research is experimentation in the hope of being able to return the image of a single person, trying to merge, to hide one figure in the other.