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Shape of my Heart
My new works speak of a radical change that has not only occurred in my private life but has been reflected above all in my way of conceiving the primary need that I had when I started again with my creative research: to externalize my personal experience with all the series of emotions and deprivations that my disease Endometriosis has led me to live. Starting from the sentence “Although you are literally in a thousand pieces, you can be a masterpiece in another form”, starting from my pieces, I needed to cut, break, fold, glue, color, I needed gestures, signs, strength. So, this new type of research speaks of my “thousands pieces”, of how they must be collected, glued together, held together tightly by courage and resilience. This work also speaks of my first person singular and of the landscapes of my heart.
2024
Mixed media
Surreal & Family Portrait
What is your relationship with yourself and with mirrors? What do you see reflected? How do you recognize your image? Living with a chronic illness (Endometriosis and Adenomiosis) sometimes feels like living a surreal life. That's what I see in the mirror: pieces of someone that I sometimes don't recognize, and at times, I couldn't even recognize myself among my family, who didn’t understand my suffering. I have intimately experienced my existence from the outside, imagining myself as part of a community more similar to me.
2023
mixed media collage of vintage photographs and paper
Mes Danceuses
A project in collaboration with Accademia di Belle Arti di Venezia and Galleria A+A, Venezia Fine art B/W film and hands print
2007
In today's society, the difficulty of relating is manifested even in the most intimate ties. Affective relationships have become uncertain and frivolous. The satisfaction of personal pleasure takes first place on the scale of values, transforming the body into a receptor capable of feeling emotions on command. Moreover, an excess of media information crowds our present, giving rise to a paradox: hyper-communication results in a lack of messages, symbols and deep vibrations of their experience. Here I focus on intimacy, working on the body and portraits. Memories of sincere and innocent bonds materialise on the prints and become the means to rediscover the most authentic emotions.
InsideOut III
Digital photo
2013
How different is the perception of life between feeling (inside) and the reality that surrounds us (outside)? I would liken our mind to a room, our secret room that allows us to impersonate what we really feel we are, what we believe we belong to.
Geisha
Premio ARTE 2005, Milano (ITA) In collaboration with Accademia di Belle Arti, Venezia and ARTE Mondadori BW film
2005
The bodies present themselves together in front of the lens. In the shot, the lights amalgamate the forms and the bodies appear as one, creating an apparent formal and aesthetic unity. The research tends towards the representation of the self linked to the other, to the couple, to love, to sexuality. The reasoning behind this research is experimentation in the hope of being able to return the image of a single person, trying to merge, to hide one figure in the other.
The Most Beautiful Flower
It's a never ending loving story of my family. It is how I add new pieces of memories. One thing my grandmother always said to her five sons: you are the most beautiful flowers in my garden. Three sisters appear in the First photo. The woman on the right is my grandmother. My dad's mom. It was a sunny winter day and these wonderful women were strolling through the streets of Padua (Italy), impeccably dressed. From the need for remembrance; from this phrase; from the intimacy of my family’s hearth, this project was born.
2022
Mixed Media on vintage photograph
This work is featured in the Issue 14 and in the exhibition "Our Stories" of PhotoTrouveè Magazine
Love is Clockworks
2024
Mixed media on paper
Body Modification II
Mutazioni Contemporanee Progetto ACCADE Galleria A+A, Venezia digital photo
2009
Attraverso lo specchio e quel che Alice vi trovó
Premio ARTE 2006, Milano (ITA) In collaboration with Accademia di Belle Arti, Venezia and ARTE Mondadori Cross Over Diapo film to Negative film
2006
The dimension hidden behind the surface of a mirror is as real as the dimension in which we live. Through the lens, the same rules of the dimension we know exist, space is expanded in the same way we know in this dimention. In this research I wanted to investigate the possibility of putting into practice a game I used to play as a child, imagining that I also possessed the space beyond the mirror, by staging the first part of Lewis Carrol's famous book. For this work I experimented with the Cross Over technique, i.e. shooting with a DIAPO film but requesting development as if it were a negative. After trying a few, I found the most functional solution that allowed me to translate the colours of that dimention.
Shapes of my sorrow
Creating the artworks was both an emotional and healing journey. During the process, I felt a deep connection to my emotions, and translating them into visual form was both challenging and cathartic. There were moments of intense vulnerability, but also a sense of empowerment as I expressed what I often struggle to put into words. The series began as a way to process and cope with my experiences, especially those related to my struggles with endometriosis. It started from a need to externalize the pain, confusion, and resilience I’ve felt. Over time, it evolved into something more a way to connect with others who might be going through similar experiences, offering a visual representation of emotions that are often difficult to articulate. Overall, it was a transformative experience, helping me to make sense of my journey and find peace in the act of creation
2022
Mixed media: paper, watercolour, acrylics
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